Last week I shared a productive exercise I learned in a workshop at the South Coast Writers Conference. The workshop, instructed by Bruce Holland Rogers, was devoted to producing ideas and chock full of methods to do that. Some of them (like the one I told you about last week) I really liked and will probably use in the future. Others, not so much.
Today I’d like to share another method that I like, but not as much as last week’s. Mr. Holland Rogers called it “Arbitrary Beginning.”
In this method, we took the first sentence of an existing story, without the title or context, and attempted to finish the story. In the workshop example, we were given this first line: “Clara, neither the first nor the most loved, was the one that showed me I could withstand the pain.” (I apologize for not writing down the title of the story, or its author). Again, we were timed. Again, we were freewriting, taking the information and conflict we found in that first sentence and building upon that to create a story.
Like last week’s exercise, it is meant as a way to step around the critical self-editor that so often paralyzes us. As such, it is particularly useful when we find ourselves (as we all do at one time or another) fighting writer’s block.
Sometimes, what we need is an exercise to work around that critic.
Another, similar exercise is to read a book or short story by an author you admire, but have not read before. At some point a sizeable way into the work, pause at the end of a scene or chapter. Now, knowing the author and his/her style, ask yourself what will the next scene entail? If you were writing this work, this story, what would you have happen next? Write that scene. When you have finished, compare your scene with the one the author actually wrote. Were they similar? Did you take the story in an entirely different direction?
In a similar way, find a story that interests you. Read it half way through. Now put the story away and finish writing it, using your own imagination. How does your story compare to the original? Do note that yours will be a rough draft while the author’s is a polished, finished work, with several drafts behind it. The object is not to compare your writing with that of a professional author, but to use another author’s inspiration to jumpstart your own.
It is pretty much the basis for all the many forms of fan fiction, right?
Another exercise is what Bruce Holland Rogers calls “Collaborative Writing.” This is like the old game of “telephone” except that each person has more invested in the final product. For this exercise, you need a small group of willing participants. Your writer’s critique group is good for this.
Choose one writer at random. He or she writes the first paragraph (or few paragraphs) of a story, then hands it to the second writer, who writes the next paragraph, then hands it to the third writer. The story should make at least three rounds of the writing group (to keep anyone from getting too absurd during their part) and the object is to end up with a coherent, unified story. You may not be able to do it, but the object is to let your imagination feed off and be reinforced by each other.
But that’s the purpose of all of these exercises, isn’t it? They are designed to get our imaginations up and running when they don’t really want to. They are to help when our creative juices need a jump start.